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Ultimately, however, the question the film raises is: to what extent can we claim to know a person, when all we see of them is the facet they show us depending on the circumstances?
_Tokyo Story_ is generally considered to be one of Ozu’s masterpieces, but this film is one of the director’s most dramatic works.
Earlier in the film, Mokichi said he liked “things to be cozy, down-to-earth, without ceremony and affectation”; by the end, that sentiment reverberates like the dream of an egalitarian society to come. Yet she concedes her angry scolding of him for this is wrong, too, and the green tea over rice is their gentle compromise. One of the ineffably lovely domestic sagas made by Yasujiro Ozu at the height of his mastery, The Flavor of Green Tea over Rice is a subtly piercing portrait of a marriage coming quietly undone. That suspicion—or desire, perhaps—is overturned in the following shot, where Taeko is shown to be eating her ochazuke without any noise.
There are a couple of interesting interviews on the disk but sadly no commentary. But what is at stake here is no longer just the tension between old ways and new, as in What Did the Lady Forget? Junji Yoshida teaches Japanese film, language, and literature at Chapman University.
The flavour is that of ochazuke, green tea poured over rice: it’s a classic, simple, unassuming taste that, for the married couple in Yasujiro Ozu’s drama, is to be a happy-sad epiphany. As soon as Setsuko whispers, “Don’t tell her I’m here,” Taeko shows up from behind the edge of a sliding door and starts berating Setsuko for her blatant disrespect to her suitor.
Ultimate Blu-ray 3D Horror Collection: Static / Paranormal Activity 4: The Ghost Di... Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Here, Ozu both satirizes bourgeois values and gives a comic twist to the recent empowerment of Japanese women by the 1947 constitution.
It also analyzes reviews to verify trustworthiness. Ozu’s work is like a spiral: we keep coming back to the same place, but at different levels. The way The Flavor of Green Tea over Rice depicts leisure activities is another reflection of the postwar Japanese zeitgeist. In 1933, Japan withdrew from the League of Nations, after being censured for its invasion of Manchuria. Though the businessman Mokichi Satake (Shin Saburi) hails from the socially peripheral Nagano, he has climbed up postwar ladders in Tokyo and wed Taeko (Michiyo Kogure), the modish daughter of a wealthy man, bred in the capital. If you’ve seen other films by Yasujiro Ozu, I’m sure you can guess. Though Noboru balks at Setsuko’s categorical rejection of the custom—still quite common at the time among the upper and middle classes—he is far from a pigheaded traditionalist. This portrait of married middle age is deliciously flavoured with mystery and melancholy, Last modified on Thu 21 May 2020 12.57 BST. Meanwhile the good-natured if slightly bumptious Non-chan is the obvious “romcom” candidate to be Setsuko’s soulmate. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. The Flavor of Green Tea Over Rice 1952 ★★★★ Watched Oct 02 , 2020 Enrico Alchimim’s review published on Letterboxd:
It’s a savour of mystery and melancholy. Given this backdrop, one might expect the version of The Flavor of Green Tea over Rice that Ozu ultimately did make, in 1952, to be a rehashing of wartime ideas. Instead of getting upset, Aya speculates that she may get a new kimono as an apology.
During a pivotal time for Black cinema, John Berry’s beautifully lived-in drama offered a portrait of an African American family that stood in opposition to a long history of harmful stereotypes. A modern boy himself, director Yasujiro Ozu may have felt irked by General Araki’s antimodern gambit. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.
The film concludes when Taeko learns to love her rustic husband precisely because of the way he was raised, while also remaining true to herself. Humor erupts each time his rustic behavior is shown to irritate his pompous, Tokyo-bred wife.
In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Tea Over Rice or The Flavor of Green Tea over Rice (お茶漬けの味, Ochazuke no aji) is a 1952 Japanese film directed by Yasujirō Ozu. The men drink together and hang out at the pachinko parlour run by Mokichi’s morose old army pal, Sadao, played by the veteran Ozu stalwart, Chishū Ryū. • The Flavour of Green Tea Over Rice is available on digital platforms. Ozu is playing a game of hide-and-seek to amuse the viewer.
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